Tuesday, March 30, 2010
More Pets
While I don't usually draw from life, occasionally the cats get into my sketchbook. I just ran across this one. Probably the same cat as before.
Friday, March 26, 2010
Now (that the Armory Show is over) We Return to our Usually Scheduled Program
That is, more sketchbook stuff: this dating back to the time when the children I had prepared for my entire life up 'til then, refused to be born. These little watercolors seem sort of comic and light-hearted to me now, but that was the darkest decade of my life and I still wonder that I managed to survive the craziness, rage and depression. My body had betrayed me completely and I subjected myself to as much "science project" as my meager health plan would provide, which, clearly, wasn't enough. Me and how many thousands of other women? It was and still is more than I can comprehend and shook my world order more severely than any of the cataclysmic global change stuff that currently rocks the daily news. For a long time, I considered doing a serious piece about the whole drama, but 20 years later, I still can't touch it. So for now, this is all I can muster. I vaguely remember a sense of ironic detachment when I did these. It was a desperate attempt to "get a grip" whilst treading the quicksand of despair. I even wrote poetry during that period.
Actually, the middle one reminds me of a painting I did when I was still young, optimistic and blithely unaware of the impending tragedy. They say that whatever doesn't kill you makes you stronger. Hah! they also say (or at least my therapist did) that "Time heals all wounds." In my opinion, time only makes you old. You learn to live with the wounds.
Actually, the middle one reminds me of a painting I did when I was still young, optimistic and blithely unaware of the impending tragedy. They say that whatever doesn't kill you makes you stronger. Hah! they also say (or at least my therapist did) that "Time heals all wounds." In my opinion, time only makes you old. You learn to live with the wounds.
Friday, March 19, 2010
Armory Show 20120, part III
The last installment. I warn you, an embarrassment of riches, of every stripe.
another Alfred Leslie (I think)
Betty Parsons
Unknown artist (to me, that is)
Sol LeWitt
Fairfield Porter
Rick Horton
This artist was completely unknown to me. He died young, but how gratifying that his work survives to be seen.
Rick Horton (again)
Leonore Tawney
Jacques Villègle
more Jacques Villègle
Chakaia Booker
Etienne Bossut
And now for a taste of Spring. By this time, I was walking by too fast, and was too tired to get every artist's name, but the picture made an impression because of its lovely greens. For more Spring Green, check out Joanne Mattera today! Gorgeous.
more Spring!
...and even more
Eemyun Kang
Marc Quinn
artist unknown (detail)
artist unknown
Florian Süssmayr
the irrepressible Sister Corita (Corita Kent)
more Corita
Ian Tweedy (ensemble)
Ian Tweedy (individual piece from ensemble)
Ian Tweedy (another individual piece from ensemble)
Ian Tweedy (another individual piece from ensemble)
Ian Tweedy (another individual piece from ensemble)
assemblage, artist unknown
details from assemblage, above
a beautiful drawing in red, but I'm not sure who made it
Joan Mitchell
unknown painter
Dineo Seshee Bopape
I almost missed this piece; it was just stuck on a wall in a hall at about eye level, but with all the chaos and clutter, easy to walk right past. A nice restful moment.
Magnolia pods & Shark's teeth (artist unknown)
Of course I had to get a picture of this, since I 'm obsessed with magnolia pods.
Conrad Marca-Relli
another Conrad Marca-Relli
George Herms (I think)
unknown sculptor
wrapped fetish, (sculptor unknown)
:::
And then it was time to go home, but the art didn't stop at the door of Pier 94:
unknown street artist
Thursday, March 18, 2010
The Elephant Again: Armory Show 2010, part II
Again, I just let my camera do the thinking for me. No analysis, no critique, not even any hierarchy or organization. And I don't even know if I like all of these. They just jumped into the camera, for what it's worth. Oh, and by the way, my studio partner was with me and some of these are his. Enjoy!
John Marin
Charles Burchfield
more Burchfield
I am a bit of a nut, because I live in NJ and I grew up in New England. It's got the steamy, swampy atmosphere of both places.
Burchfield Wallpaper Pattern (Yeah, really)
more Burchfield Wallpaper (this is a segue, look out)
Marc Dennis
"Georgia, Georgia..."
James Rosenquist (detail)
I took this because I paint "realistically" some (well, most) of the time and I just wanted to see how he did it. Definitely frisket work with the overlaid image. I admire this guy so much, you can't imagine. I guess it's the irrepressible big spirit. Of course, he started out painting the sides of building out in the Midwest, so big that, as he remarked: by the time you got all the way around, it was time to start painting all over again. (or words to that effect).
Jacques Villègle
Alfonso Ossorio
I'm a fan partly because I feel he is part of my family.
My aunt worked with him on a church in the Phillipines in 1949-51.
It was a big project and that's all they talked about when I was little. Also, I found a little drawing by him when we were cleaning out our old house. So I guess that makes me a "collector".
(OK, my bad, I didn't get the info for this visual extravaganza.)
Mark Innerst
Wayne Thiebaud
Elmer Bischoff
(another Bay Area guy, from an earlier time)
Betty Parsons
(who knew? This palette looks remarkably like some Helen Frankenthaler I've seen, only punchier, less watery. Now I gotta look it up. Also, I'm getting a definite Matisse vibe.)
Elaine deKooning
Well, enough for now. We are still so low-tech around here, that we share a computer and it's an old one at that. So I'll post some more later.
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